I am of the opinion that life is too short for crappy pots, crappy knives, crappy shoes, crappy wine and crappy chai.
I'd also like to add that life is too short for fads & passing tricks on old Classics - like Coq Au Vin - the French recipe that is like a story for all to read. Simple ingredients, explosive results -chicken, shallots, garlic, a bottle of good wine and a nice long simmer with herbs and flavorful ingredients like button mushrooms, pearl onions and crispy salted pork.
And so it should come as no surprise whatsoever when I advocate that if one is to make a classic ragout, use a recipe that is truthful and honest and yet one that has evolved with time because cooking in my opinion is an organic art where we pour ourselves, our souls, our history and our culture into each dish.
So when it comes to Coq Au Vin, does it surprise you that I should turn to Richard Grausman's Coq Au Vin? If you have been following this blog this year, then No. Because here he takes a classic and tweaks it ever so slightly for the contemporary kitchen so all of a sudden, it slides perfectly into our hectic schedule.
I forever depend on my dogeared, curry stained and generally abused copy of his book At Home with the French Classics. Do you remember when we fixed the classic 'Child meets Grausman' Boeuf Bourguignon - Well if you don't then do check it out because Mr. Grausman himself commented on the blog! Needless to say, one of those true as gold moments for me.
Fixing Coq Au Vin is an event in our home and it is my way to pay homage to my new Emile Henry Flame Top Brazier . If one is to put such a pot to test, what better way to test it than with a recipe which involves almost all cooking techniques - braising, stewing, from stove pot - to refrigerator - to freezer if needed - back to stove top and finally into the oven! Whew!
And let me tell, it performed admirably. It was the first time I had ever met ergonomic curved handles on a pot and all I could think of was - "Where have you been my whole life"? There something about the way my fingers curled around those curved handles, perfectly with no chance of slippage that made me sigh-out-loud.
And then, you know how when you add chicken to hot oil, it almost always sticks to the bottom of the pan? Not here! Not to mention that burgundy clay must be doing its job because in minutes both sides of the chicken were a perfect golden brown.
Needless to say, you know I'm a fan of all things Emile Henry and once again I see no reason to change my tune.
Now back to the recipe, here is a suggestion - No I insist ( You know I'm pushy when it comes to food)
Fix this recipe over a couple of days beginning at least the day before and you will have a wonderful, stress free dinner and it's actually a blessing for the flavors!
Recent Comments